Nanci E. LaGarenne was born in Brooklyn and lives on the East End of Long Island. She is a former teaching assistant in the Autistic Unit at P. S.236 in Brooklyn, a child care coordinator at The Retreat, a domestic violence shelter on Long Island, and freelance journalist for Dan's Papers and contributing writer to The Montauk Sun. Her novel, Cheap Fish is a local tribute to commercial fishermen in Montauk. LaGarenne was a karaoke host for twelve years in a local dive bar, Liars Saloon, which features in her book. Refuge, her second book, is an inspirational story of female friendship among domestic abuse survivors, set in Brooklyn and Ireland. The bitter end, a sequel to Cheap Fish, returns to Montauk with another murder mystery. Her new novel is Scape Ghost, set in California in the 60's & 70's, it is a famous cold case fictionally solved. It is available now on Amazon.com Q: What inspired you to write Scape Ghost? Answer: I was intrigued when I visited Alcatraz about the close quarters of Warden's house and guards who lived on Alcatraz Island to the prison itself. As I walked the grounds and saw the ruins of the houses, and took the tour inside Alcatraz itself, I wondered could those three escapees have survived? And if so, what became of them? Q: The story of the escape is ripped from the headlines. June, 11, 1962, three prisoners of Alcatraz, an island in San Francisco Bay, escaped under the cover of darkness, and their bodies were never found, so the cold case remains open. It has sparked the public's interest ever since, people playing amateur sleuth and guessing what happened to them? Answer: I decided to solve the mystery and have the three men survive, and focus on the main prisoner or ringleader of the escape, Frank Lee Morris, a thief who reinvents himself, as Cincinnatus Jones, pilgrim and avid reader who hides out in abandoned cabin high in the Oakland hills. What happens to him was as much a surprise to me as it will be to my readers. Q: Have you written fiction before? Answer: Yes, Scape Ghost is my fourth novel. Cheap Fish a Montauk tale, came out in 2013. It was followed in 2015, by Refuge, an inspirational domestic violence survivors story set in Brooklyn and Ireland. In 2021, the bitter end, I returned to Montauk and created the Cheap Fish sequel. Q: Are you writing a book now? Answer: I'm working on a novel about two Irish women, descendants of female pirates, who did in fact exist in history, though we don't hear much about them. It takes the reader from Kinsale in Ireland to the California Delta, a series of river towns with a storied and fascinating history. Visit Nanci on her website:
www.nancilagarenne.com LINK for BOOK: https://www.amazon.com/Scapeghost-Nanci-LaGarenne/dp/B0BZB5NT5J
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A desire to build a bridge between today’s science and the magic of a time forgotten has landed Stacey Tucker in the world of fiction writing. Ocean's Fire was the first of three books asking readers to open their minds to the possibilities hidden behind the veils our society forces upon us. Ocean's Fire was the proud winner of the Gold Medal in the 2017 Living Now Book Awards for Best Adventure Fiction Novel. Alchemy's Air was published in 2019 as the second book in the series and has been selected as a Finalist in the 2020 Canadian Book Club Awards along with the final installment of the series, Sky of Water! She continues to redefine the word Feminine in America by speaking to women’s groups on cultivating the fire within as a catalyst for self-transformation. Q: Can you share your thoughts about the character development of Skylar Southmartin in "Alchemy's Air" and how she has evolved throughout the story? Answer: Our twenties are really about learning how to claim agency over our own lives. We are most likely still breaking free from the ties of authority-parents, school, extended family. And the truth is we don’t ever really break free, we learn to live in the container that our life has given us, unless we get so completely dissatisfied, we create the change, within and in our external world. I remember being in my twenties, making the wrong decision about men, giving my power and body away to someone for attention and trying to fill the hole of self worth through the eyes of a man. Does the attention of the bad guy, the “powerful” guy make you powerful in turn? In the moment, one would say yes but looking back, the clarity of what it actually was is blatantly apparent. As writers, we find ourselves in all of our stories. I processed my own mother’s death through these books, especially book 2. To be able to go back in time and have a relationship with your mother who has died in current day, what would that be like? How healing? How heartbreaking? How life changing would that experience be? Over the course of the series, Skylar takes ownership of her choices, in turn grows and matures. She learns to appreciate who she is without the need to “fix” the parts she deems imperfect. Q: The description mentions the significance of darkness within us and its impact on the soul. How did you explore this theme in the book, and what message did you aim to convey through it? Answer: Our shadow self is simply a filter through which we view ourselves and our world. It is very convincing. The self help industry banks on the shadow self. What it boils down to is self-forgiveness. And beyond self forgiveness is self acceptance and the realization you are perfect and there is nothing to forgive. If it were simple, there would be no need for suffering. It is through our suffering that we crack open the shell around our hearts that we put there to hide our truth from others because of shame. The thing our soul wants more than anything is for our personality self to shine our unique being, despite the judgements of others and our own self judgments. It’s a work in process. Skylar has to come to terms with her relationship choices and see them as learning experiences. We all can learn from that arc-acceptance of who we were in our past, we made decisions then that shape who we are now. But realizing the decisions we make now, shape who we will be in the future. Q: The Akashic Library in the Underworld of Earth plays a crucial role in the plot. What inspired the creation of this unique setting, and how did it influence the characters' journeys? Answer: I love everything mystical! Magic is all around us and the muscle of our imagination is a faculty available to all of us, but so few really tap into its wonder. It also comes down to the lens you view the world through. You can believe your horoscope matters, or it doesn’t. You can believe the date 2-2-2022 is magical or it’s just a bunch of twos. The Akashic Records are a thing, google it! Books have been written about it, people have made careers reading the records for clients. Again, it comes down to belief. My husband would tell you it’s a crock of shit. I disagree, so much that it is a big deal in my story and I have a card in my deck about the records. I elaborate on the fantasy element for the books sake but it comes down to your history and the history of all living beings. It also sits in the cross section of faith and science. It can be comforting to believe that you and all that exists are a part of Universal Divine Love playing out what has already happened. You can’t get it wrong. You can choose what you want on this earth and return to Source Love at the end to play again another day (lifetime). It also represents quantum physics where we are all connected at a quantum level and every choice you make affects everyone else on the planet. Also true. That is a long answer. For the books- I played with one of the theories that the records are actual holographic records kept deep within the mountains of Tibet guarded by mystical protectors to preserve the integrity and truth of the information. Only the people of purest heart and intention are permitted to enter and receive the guidance and information to help with their earthly lives. Q: The story touches on the future of human potential and the role of the Great Mothers. How did you weave elements of mysticism and spirituality into the narrative, and what insights did you hope readers would gain from these themes? Answer: I discovered the Divine Sophia-the feminine face of God, before I started writing this series. I was so overcome with emotion and validation as a woman, that the divine has a feminine aspect. Of course it does, it is all encompassing. But being raised Catholic, the feminine was rarely explored except in Mother Mary. To see a flowering of multiple faces of the Divine Feminine as I uncovered more information drove me to honor her with these stories. The Great Mothers in the books are my creation based on the three Mother Letters in the Hebrew Alphabet: Aleph, Mem Shin-Air, Water, Fire. Not only the letters that all others are birthed from, but are symbolic figures as elements of creation. When I learned that I thought How Fabulous! And wouldn’t that be so fun-to write a trilogy about these elemental mothers who created the world and are still on the planet today. Having never written fiction before, I didn’t quite know what I was getting myself into. But I felt called to write and honor the Divine Feminine in all her forms and faces. My hope is that a woman reads these books and recognizes herself and feels the love of the Divine as her. Visit Stacey on her website:
www.staceyltucker.com Follow Stacey on Instagram: www.instagram.com/staceyltucker Engage Stacey on twitter: www.twitter.com/staceylublog Subscribe to Stacey's YouTube channel: www.youtube.com/@staceyltucker LINK for BOOK: https://www.amazon.com/Alchemys-Air-Equal-Night-Trilogy/dp/1943006849/ In her fiction, Sarah P. Blanchard writes about conflicted people making difficult decisions in impossible situations, sometimes with good outcomes. She's especially drawn to flawed, compassionate characters who believe they must battle their demons alone, and complex antagonists who feel they have nothing to lose. New England-born and raised, Sarah earned her B.A. in English literature from the University of Connecticut and an M.B.A. from Nichols College in Massachusetts. After moving to Hawaii in 2003, she taught English, writing, and business at the University of Hawaii-Hilo and Hawaii Community College. A move back to the mainland in 2010 brought her to Raleigh, NC, and then the western North Carolina mountains where she taught two semesters of fiction writing in UNC-Asheville's OLLI Program (College for Seniors). Her poems and short stories have appeared in several publications, and she was a finalist for the 2021 Doris Betts Fiction Prize. Her short story collection PLAYING CHESS WITH BULLS was published in December 2023 and her debut novel DRAWN FROM LIFE was released in Spring 2024. She is also the author/co-author of three books on horse training. She and her husband Rich split their time between North Carolina and Connecticut, where she enjoys gardening and riding the trails with her horse, Cody. Q: How did you come up with the title? Answer: I wanted to make my main character expose her vulnerability in a very visible, visceral way, that goes against what you would expect of a mousy bookkeeper—but I didn’t want to use the common tropes of self-abuse or self-harm. What’s more visible and vulnerable than posing nude for figure-study classes in an art studio? At that point, the title announced itself. Q: Where did the idea for this book begin? Answer: The main themes—guilt, atonement, reconciling a moral injury—go way back. When I was in high school, a teenage friend disclosed that his mother had always blamed him for the serious injuries she’d suffered in a car crash. He’d been a few minutes late leaving an after-school event and she’d had to drive around the block a second time, looking for him, and that’s when another driver smashed into her car. My friend carried the tragic injustice of this blame into his adult life, emigrating to the other side of the world to escape her undeserved vitriol. A misplaced belief in agency—that we, or someone close to us, has real control over what happens in our lives—can cause tremendous heartbreak. I wanted to create a story that addressed that, featuring a character who gets stuck in the “should-have” and the “if-only” of regret. That brought me to Alice Gregory’s article in The New Yorker (“The Shame and Sorrow of the Accidental Killer,” September 11, 2017). I knew I’d found the core of my main character: an ethical, conscientious young woman burdened with the guilt of an accidental killer. Then I had to figure out how to get her unstuck from that. And I needed a worthy antagonist to propel the story forward. So I created her troublesome cousin. Q: What was the writing process like for you? Answer: The writing took three and a half years. I added characters and plot twists, researched PTSD, physical trauma, and various therapies. I talked with military veterans about moral injury. I also fell in love with my characters and gave them complex backstories. The book grew to 105,000 words and wandered down too many rabbit holes—all fascinating to me, but not all supporting the heart of the story. Editor Annie Mydla (Winning Writers) brought me back on track to emphasize the essential story: Emma must find the courage to confront her cousin. She can have help, but ultimately this has to be Emma’s story. Q: While DRAWN FROM LIFE is a work of fiction, you depict elements of real-life traumas and the various methods used to help victims of trauma. Answer: I’m careful about use of the word “victim.” It’s become a common, and commonly misused, word. In one sense, everyone can claim victimhood because none of us is fully in charge of what happens in our lives. (The agency problem.) But this can suggest a “learned helplessness,” in which we decide that if we have no control, we might as well give up. Emma, as the childhood follower and sometimes target of a bully, comes to recognize this in herself. It’s at the heart of her battle. Instead of “victim,” I prefer the term “trauma survivor.” Therapists use different techniques for different injuries, and this is one example of a therapy that Emma is familiar with called “re-writing the narrative.” She cannot change the facts or the outcome of the accident, but she can change how she sees her role, how she responds to the facts, and what she will do next. However, there’s an extra stumbling block for Emma. When someone has inadvertently caused irreparable harm, a therapist may advise following the three As: Acknowledge, apologize, amend. But Emma can’t remember enough to acknowledge what truly happened. She’s stuck on the “apologize” phase without fully understanding what she’s apologizing for. This need to know what really happened drives her to try bargaining with her cousin for the truth—thus propelling the story to its climax. Q: How did you determine whose perspective would drive the story? Answer: I first thought the story belonged entirely to Emma, so I began it in first person. But I quickly realized I needed more of her cousin’s perspective to expose the dark side of the family dynamics. With only Emma’s perspective, we’d remain as much in the dark as Emma herself is for much of the story. Lucy’s character was the most interesting to consider but the hardest to write. How dark is too dark? What can I reveal without revealing everything? Chaz, the third point-of-view character, kind of snuck in on me. I was intrigued by what his life as a foster kid might be like, and how he might perceive Emma. His character fit nicely into a “watcher from the wings” role and I really enjoyed bringing in his backstory and perspective. Q: Your detective doesn’t appear until the second half of the book. Why? Answer: He’s riding shotgun, not driving the story. I needed a police presence to move certain things forward but it’s Emma’s story, not his. Maybe he’ll have a stronger role in the next book. Or he could have his own book. Visit Sarah on her website:
www.sarahpblanchard.com Join Sarah on Faceboook: www.facebook.com/SarahWritingInWeaverville Engage Sarah on twitter: www.twitter.com/sarahs_lexicon LINK for BOOK: https://www.amazon.com/Drawn-Life-Sarah-P-Blanchard/dp/B0CVCBPJ3B/ Jessica Rosenberg is an emerging author of Paranormal Women's Fiction and Cozy Fantasy. Her delicious debut series, Baking Up a Magical Midlife, is the story of a middle-aged newly single mom who discovers she's a witch when she inherits a magical bakery. She lives on the Central Coast of California with her husband, two teen children, two dogs, and one very cynical cat. In 2022 Jessica Rosenberg launched her popular Paranormal Women's Fiction series, Baking Up a Magical Midlife, and published the first three books: Butter, Sugar, Magic; Bread, Coffee, Magic; Bitter, Sweet, Magic. The series continues with the February 28, 2023 release of Sweet & Sour Spells. Q1: Have you always wanted to be an author? Does it come easily to you, or do you struggle? |
AuthorJane Ubell-Meyer founded Bedside Reading in 2017. Prior to that she was a TV and Film producer. She has spend the last five years promoting, marketing and talking to authors and others who are experts in the field. Archives
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